![]() Guy Tiberghien, “Introduction: Nomad City”, in Daniela Colafranceschi, Walkscapes, Barcelona: Rosello, 2002, p. Henri Lefebvre, The Production of Space, Donald Nicholson (trans.), Malden, Oxford and Victoria: Editions Anthropos, 1974, 1991, p. The Naked City was published by the International Movement for an Imaginist Bauhaus in 1957, while the group was in the process of joining with the French Lettrist Society (of which Debord was also a member) and the English Psychogeograhical Society to form the SI.ġ0. Tom McDonough, “Situationist Space”, in Tom McDonough (ed.), Guy Debord and the Situationist International, Cambridge, MA: MIT Press, 2002, p. Libero Andreotti, Barcelona: Museu d'Art Contemporani de Barecelona/ACTAR, 1958.Ĩ. Guy Debord, “Theorie De La Derive (1956)”, in Libero Andreotti and Xavier Costa (eds.), Theory of the Derive and Other Situationist Writings on the City, trans. Charles Baudelaire, “The Painter of Modern Life (1863)”, in Francis Frascina and Charles Harrison (eds.), Modern Art and Modernism: A Critical Anthology, New York: Harper and Row, 1982, p. ![]() Daniela Colafranceschi, Barcelona: Rosello, 2002, p. Peter Lang, “Stalker on Location”, in Karen Franck and Quentin Stevens (eds.), Loose Space: Possibility and Diversity in Urban Life, 193–209, New York: Routledge, 2007, p. Miller (eds.), Suburban Discipline, New York: Princeton Architectural Press, 1997, p. Lorenzo Romito, “Stalker”, in Peter Lang and T.
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